Don't you love it when something you see every day is cast in a new light? This happened in a very literal sense the other day when I noticed this beautiful shadow against my wall. I'm not usually home in the afternoon so it was a treat to see the subtle patterns working as a backdrop to my beloved collection of jewellery boxes and Japanese chests. The print of a woman with magnificent eyebrows and a white cat (obscured by the big round box) is by Junichi Nakahara. There is a tiny shop in Hiro-o in Tokyo selling his prints which I used to have to make a big effort to circumvent every time I went to yoga ... so much gorgeously kitsch stuff. The other print is of a cat admiring a peony which is ridiculously out of proportion, but I love it. I think it's from an old calendar. The theme colour here is overwhelmingly burnt orange, a shade which I used to hate but which I came to love while I was in Japan as it is so often used for laquerware there.
Monday, April 5, 2010
Keeping the conversation light
Don't you love it when something you see every day is cast in a new light? This happened in a very literal sense the other day when I noticed this beautiful shadow against my wall. I'm not usually home in the afternoon so it was a treat to see the subtle patterns working as a backdrop to my beloved collection of jewellery boxes and Japanese chests. The print of a woman with magnificent eyebrows and a white cat (obscured by the big round box) is by Junichi Nakahara. There is a tiny shop in Hiro-o in Tokyo selling his prints which I used to have to make a big effort to circumvent every time I went to yoga ... so much gorgeously kitsch stuff. The other print is of a cat admiring a peony which is ridiculously out of proportion, but I love it. I think it's from an old calendar. The theme colour here is overwhelmingly burnt orange, a shade which I used to hate but which I came to love while I was in Japan as it is so often used for laquerware there.
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